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S.E.M. Ensemble

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UPCOMING: Oct. 5th @ 6:30pm - Phill Niblock Forever

Saturday, October 5th, 2024 @ 6:30 pm

Roulette Intermedium

509 Atlantic Avenue, Brooklyn, New York
 

The Orchestra of the S.E.M. Ensemble
Petr Kotik, Conductor

performs

Phill Niblock - Exploratory, Rhine version "Looking for Daniel"

American premiere of a work for large orchestra, composed for Petr Kotik and the festival Ostrava Days 2019
 

As part of "Phill Niblock Forever: A Marathon Memorial"

12-hour continuous event from noon to midnight
 

FREE ENTRY

More Info & RSVP

Petr Kotik conducts orchestra performances of music by Phill Niblock at Ostrava Days Festival

Petr Kotik conducts orchestra performance of music by Phill Niblock at Ostrava Days Festival


S.E.M. Ensemble: Music of Our Time

Founded by Petr Kotik with Julius Eastman and Jan Williams, the S.E.M. Ensemble is the oldest new music ensemble in the United States today.

On April 15, 1970, a group of musicians under the name S.E.M. Ensemble performed its first concert, music by Cornelius Cardew, John Cage, Petr Kotik, and Rudolf Kamorous. The reviewer of the Buffalo Evening News described it as an "Audience in Retreat": "an audience of 17, including wives and other relatives, remained out of an original 100 attendees, at the conclusion of Wednesday evening's performance of the newly-formed S.E.M. Ensemble."

 

Since then, the S.E.M. Ensemble have been performing music of our time: new compositions by both established and emerging composers as well as masterpieces from the recent past. In 1992, SEM expanded into a large, 86-piece orchestra, The Orchestra of the S.E.M. Ensemble, with a concert at Carnegie Hall. There, The SEM Orchestra premiered Atlas Eclipticalis by John Cage in its first complete version, with David Tudor as the pianist in Winter Music. The event attracted audiences and critics from across the United States, Europe, and Japan. Alex Ross wrote about the performance in the New York Times: "highly disciplined and monumental... sonorities shifted, intangible events solidified; collective images began to appear amid shapeless sound... an epiphany rises in the back of the mind."

 

From small chamber music formations to large orchestral events, SEM has made its mark on contemporary music, not paying much attention to an approval from critics or audiences. From a group of three to a large orchestra - from Morton Feldman's For Philip Guston, to large-scale compositions by Alvin Lucier, Roscoe Mitchell, Petr Kotik, and others. SEM concerts featured such soloists as Julius Eastman, John Cage, Amina Claudine Myers, David Tudor, Pauline Oliveros, Christian Markley, Maryanne Amacher, Roscoe Mitchell, to name a few.

 

After relocating to New York City from Buffalo, NY in 1983, S.E.M. Ensemble, started to present yearly concerts at the Paula Cooper Gallery and in its own space, the Willow Place Auditorium in Brooklyn Heights. It also performs concerts at high-profile New York venues such as Carnegie Hall, Alice Tully Hall, Bohemian National Hall, and DiMenna Center for Classical Music, among others.

 

Composers Julius Eastman, Garret List and Ben Neill were past members of the S.E.M. Ensemble. Among a score of other composers, most of whom created new compositions for the Ensemble while working directly with SEM, are John Cage, Pauline Oliveros, Morton Feldman, Christian Wolff, Roscoe Mitchell, Phill Niblock, Earle Brown, Alvin Lucier, David Behrman, as well as many young, emerging composers.

 

Manifesto

It is a call
Creating music
Someone said

Not gesturing
Or calculating
For success

The flow

Shaping
Sounds and silences
Depth, volume,
Immediacy, space,
Intimacy and directness

Unconditionally changing

Nothing new

A sweeping run
Not a pause
Not an interval
This is the new composition

Even though
After all

We are
As we were

The same place
For centuries

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S.E.M. Ensemble, Inc.
25 Columbia Place
Brooklyn, NY 11201

Phone: (718) 488-7659
info@semensemble.org

Contact Lola Votruba, coordinator,
at pksem@semensemble.org

S.E.M. Ensemble’s 2022-23 season has been made possible with the generous support of the New York State Council on the Arts in partnership with Governor Andrew Cuomo and the New York State Legislature, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, The Amphion Foundation, The Alice M. Ditson Fund of Columbia University, The Aaron Copland Fund for Music, The Fritz Reiner Center for Contemporary Music, The Fromm Music Foundation, The Low Road Foundation, Sheldon Berlow, Stephen J. Deutsch, Virginia Dwan, Martina Forman, Philip Foster, Allegra Fuller Snyder, Beth Greenberg and Jim Wright, Charlotta Kotik, Raymond Learsy, Julian Lethbridge, Rotraut Moquay, and Noni Pratt. Special thanks to Paula Cooper, Jasper Johns, Werner Kramarsky, and Brooklyn District 33 Councilman Lincoln Restler.